With his new film "France" now in theaters, we look back at Bruno Dumont's early films "La vie de Jésus," "Flandres," "L'humanité," "Hadewijch," and "Twentynine Palms," all available online. What does it mean to film the sacred? What are his influences? Why is the question of evil central to his cinema?

51 films to date, a unique body of work whose common thread is the search for love: this is the cinema of Claude Lelouch. As a Jewish child hunted during the war, the filmmaker offers his very personal vision of betrayal, scoundrels, good people, travel, parent-child relationships, and the ghosts of his deceased friends whom he will always love.

Xavier Beauvois' documentary-style filming techniques, her collaboration with François Truffaut, Xavier Dolan's masterful tone... Nathalie Baye looks back on her roles in "Le petit lieutenant," "La chambre verte," and "Juste la fin du monde" as they are broadcast on ARTE. A conversation hosted by Olivier Père (Managing Director of ARTE France Cinéma).

In a handful of deliberately and gently dark films, screenwriter and director Pascal Bonitzer has built a body of work that is both fierce and gentle. His characters practice ironic antipathy and take quiet steps to make themselves known, but they also display great and disarming frankness and a desire that is completely free of the need for others.

In a handful of powerful films, actress-turned-filmmaker Nicole Garcia has created a highly romantic world. Both men and women reveal themselves in stories of betrayal, buried secrets, money, and all-consuming emotions. Fortunately, Garcia's fictional universe is as murky as danger and as captivating as the quest for love.

For several decades, filmmaker Catherine Corsini has been filming different worlds, yet all of them are permeated by the same desire for her characters to truly come into their own. With a vitality that is ready for anything, including cheating before finally giving up, the heroes of Corsini's films take every risk, and Corsini understands them.

A meeting with Gaspar Noé at the Locarno Film Festival, where his latest film, Vortex, was screened. His first feature film for general audiences tells the story of an elderly couple who must live out their days under the shadow of Alzheimer's disease. It's an opportunity to look back on the unique career of an experimental and provocative director!

For more than thirty years, Andreas Dresen has been exploring the question of what makes someone German. Without resorting to patriotism, Dresen's cinema addresses the soul of his country through space, but also through time. The era of East Germany, a divided then reunified country, has an impact on characters who live their intimate, friendly, and romantic lives fiercely...

The story of the man who embodied the great transformations of the turn of the century, acclaimed almost worldwide as the first man to fly a plane - the 14 Bis. Set in France and Brazil in the late 19th and early 20th centuries, the production follows the aviator's trajectory, from his childhood at his family's coffee plantations in the interior of Minas Gerais, to the sophisticated Paris lounges and air clubs.

The story of a unique young boy genius, Bruno, whose expression of his own individuality leads his family and community along an emotional journey.